Archive for the “life” Category

Tuesdays The Boy has after-school trombone lessons on campus, giving me thirty minutes of uncommitted time. Camera time. I’ve been on another one-lens kick; you know, limit yourself to a single focal length.

DBK70919

This week it’s the 77mm f/1.8 on my K-7D.

DBK70921

Autumn here means rain, and when it rains, you get this wonderfully diffused light. Everything looks good, especially the fallen leaves, splashes of color in the splashing rain.

DBK70922

I love this lens. I’ve had it for years, a hold over from before I went to shooting wide.

DBK70928

Sometimes it’s good to return to an old friend, revisit old subjects and see if there’s anything left to see.

DBK70932

If you’re lucky, and ready, you find what you’re looking for.

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He walked in the dark from the train station, on his way to work, where he rented rooms to men from the neighborhood, twenty bucks a pop, while women he knew were there tried to make themselves invisible in the parking lot. He’d worked there since he moved to town, even slept in the quickly empty rooms for a few weeks until he made enough for a place in midtown, a basement corner with an arched door.

Like on most nights, he watched the shadows and his step, shielding himself with a medium-loud humming, more often Amazing Grace than not, since he could mark the time with his walking pace, and he held to a vague faith in the protecting veil of a common hymn. How sweet the sound.

His walk skirted a fall-off, a ravine deeper than the kudzu let it appear. It always smelled the same, like decomposition, like an inviting place to throw the unlucky cats who’d met their destiny on the street, the only night to night difference the weather affecting the intensity of the aroma.

It was maybe a mile; he could do it in twenty minutes, more or less, time for several verses of Amazing Grace repeated, the debris of the city drifting against the curbs and chain link fences. Some nights he noticed broken bottles, others were wrapped in the waxy paper from greasy burgers. He was almost always on time, enough that the manager let him slide on the nights the trains ran behind.

He was aware of the traffic without conscious concentration. It was more a thought to his swerving shadow, the dopplering of tires on the cracked concrete, a snatch of thumping music through an open window, sometimes the twinkle of a woman’s delight there and gone again.

When the car pulled up, he made room, angling away from the curb, anticipating a passenger arriving home and a slamming door.

“Hey,” said the man at the wheel, cruising slowly, “You got a gun?”

“What?” He stopped walking. Other cars carved past, revving into the inside lane.

“You got a gun?” The man asked again.

“What? No. Why?”

“I seen you. Before. Walking.”

“O.K.” He turned.

“You ain’t got no gun, do you?”

“No. Why you keep asking me?”

“I can’t give you no ride you got a gun.”

“I didn’t ask for a ride.”

“You work up to The Twins.”

“Yeah. I gotta go, gonna be late.”

“I can give you a ride, you ain’t got a gun. Get in. “

“I’m almost there.”

“Man, if you almost there, I wouldn’t give you no ride. Get in. Rain comin’.”

He reached for the door, swung it open. The man grabbed some stuff off the seat and threw it back.

“Thanks for the ride.”

“You sure you ain’t got no gun?”

He laughed. “No, man. You’re crazy. No, I don’t have a gun.”

The man looked back. He turned the wheel to pull away from the curb.

“Can’t be too careful. Mean, I couldn’t let you in here you got a gun.”

He lit a cigarette. Blowing out the smoke, he said, again, “I don’t have a gun.”

The man smiled, pushed the gas.

“Good. ‘cause I do.”

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DBK70574

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Old guy in the circle needs a shave, a mess of tics and hitches, baseball cap pulled low over crazy eyebrows, I won’t lie to you; I think I left my mojo in my old desk, next to my security and that Sundays CD with Wild Horses on it.

Call me a victim of the times, but nobody’s shooting at me, you know, and it could be worse. I only lost my job, which is why I’m here, back in the hallowed halls and not following a broom around a warehouse, and when I tallied up the hits and misses of the last fifty years, I found too little scoring, no surprise, and too much smoky improvisation.I was strictly small venue, all thump and jangle with a weakness for solo fretting.

Yeah, I could be your dad, but I’m just some random guy with a writing jones and a stupid metaphor habit.

The last couple months I almost kicked it, almost took the cure, but I like the high, the crackle, and I had to find a way to get the jams jamming again, so let’s key up the archives and see what I could do when I had the rhythm. We’ll release it as The Best of The Flies, see if it charts.

The track list:

1. the time between

2. where it takes you

3. where Art is

4. Late at Night

5. It’s Out There in Kansas

6. The Carrier of Uncertainty

7.  Medley: The Last of the Dirt Road Riders, Into the Wind of the Rockies, and burning bridges

8. Collateral Damage

9. the only thing between us the glass

10. when you hear me speak of heaven

Bonus track: To whom it may concern; It is Springtime

Liner notes indicate that there are other sets available. The sessions producing these listed are still in the catalog, along with behind-the-scenes photos.

So I get my buzz on, my mojo hummin’ and I’m looking for the serious wave, because I still hear the Bimbo’s tune:

“On my desk I have a little dish of trip toys among which is an antique silver napkin ring and a skeleton key, some shells, marbles, foreign coins and stones. They are oddities and found artefacts that made me say ‘ooh’. When I get stuck in my thoughts I’ll turn one of these things over in my hands as distraction. Each is its own small, curious world. Cog’s posts work the same way. He is pocketable to the crow reader. Inside, Cog is a novelist that will be revered and adored if his big honkin’ anthology is written. Driving the Flies is where he launders the bits that will become his work. It’s like reading the marginalia and letters of the favorite author you haven’t read yet.”

In all of that, the key is “yet.”

Long-time readers know the tracks, but there’s always a new audience waiting.  This time a shout out to ENG306. Welcome.

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